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ARTICLE
Till the Cows Come Home...
By
Nick May
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Nokia-isation of Scottish Film Policy
By
Mark Cousins
ESSAY
Something in the Interval
By
Marina Vishmidt
ARTICLE
Emotional Locations: A Meeting with Ryuichi Hiroki
By
Maggie Lee
ARTICLE
Cold Mountains, Red Armies
By
Go Hirasawa
ARTICLE
Sono Sion: The Dark Poet
By
Maggie Lee
ARTICLE
Ecovisions: Seeing Animals in Recent Ethnographic Film
By
Anat Pick
ARTICLE
Visual Music: The Animation of Norman McLaren
By
Nancy Harrison
ARTICLE
Japanese Documentaries Take Tokyo
By
Fujioka Asako
INTERVIEW
Cinema of Attractions: On the Charismatic Worlds of Kiyoshi Kurosawa
By
George Clark
ARTICLE
Vision On: Pervasive Animation in and around London
By
Suzanne Buchan
DOCUMENT
The Abingdon Film Unit
By
Jeremy Taylor
|
Michael Grigsby
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
ARTICLE
Britdoc Festival 06: The Art and Business of Documentary
By
Hannah Patterson
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