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ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
POEM
After Tropical Malady
By
Graeme Hobbs
ARTICLE
Desire in Action: The Cube Microplex and the Future of Cinema
By
Graeme Hogg
|
Chris Williams
ARTICLE
Back Where We Come From...
By
James Leahy
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir
|
Cathy Greenhalgh
|
Peter Culshaw
ARTICLE
A New Era for Scottish Screen
By
Christeen Winford
ARTICLE
All in the Script? Then Why Make the Movie!
By
James Leahy
ARTICLE
Beetleski
By
Rosy Rockets
REVIEW
Eye Candy or New Indie Cinema?
By
Holly Aylett
ARTICLE
Driessen: Multiple Image and Audience Expectation
By
Ruth Lingford
ARTICLE
So Hot Right Now
By
Ben Slater
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