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ESSAY
Dissident Surrealism
By
Michael Eaton
ARTICLE
Dancing at the Crossroads
By
Sue Clayton
REVIEW
Magnum Cinema
By
James Leahy
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami
|
Merzak Allouache
|
Gaston Kaboré
|
Nour-Eddine Sail
ARTICLE
The Children of Godard and 90s TV
By
James Leahy
|
Jamie Payne
|
David Styan
|
Karen Alexander
OBITUARY
Tributes: Marguerite Duras
By
Jill Forbes
ARTICLE
Godard's Sons: Why Are they all Bastards?
By
Laurence Remila
ARTICLE
The Sound of Godard
By
Michael Chanan
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
MANIFESTO
Kino Korrespondence
By
Ken McMullen
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
ARTICLE
Impossible Cinema
By
Robert Barry
ARTICLE
The Hours Is Not a Film
By
John Bradburn
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