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ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
ARTICLE
In a Lonely Place: Tony Grisoni’s Kingsland
By
Iain Sinclair
REVIEW
Redacted: The Invisible Film on the ‘Invisible’ War
By
the Celluloid Liberation Front
ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
REVIEW
Plot in Cinematography: Victor Shklovsky, Literature and Cinematography
By
Victor Shklovsky
INTERVIEW
The Age of Stupid
By
Gareth Evans
ARTICLE
Platform Alterations: Vertigo Expands its Online Interventions
By
Anne Robinson
POEM
The Moving Image
By
Gareth Evans
ARTICLE
Yellowface!
By
Rosy Rockets
ARTICLE
Beat It
By
Rosy Rockets
REVIEW
The Headless Woman
By
David Sin
INTERVIEW
Darkness Visible
By
Jon Davies
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
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