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ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
ARTICLE
Reading the Modern: Narratives in Cinema and Literature
By
Dorota Ostrowska
ARTICLE
Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material
By
Rosy Rockets
ARTICLE
A Letter from the Edge: Making and Surviving The Fall
By
Peter Whitehead
ESSAY
Three Images of May: Cinema and the Uprising
By
Chris Darke
ESSAY
The Hour of the Furnaces: Crafting a Revolutionary Cinema
By
Mariano Mestman
ARTICLE
Londres, Bombay: Stations on the Journey
By
Patrick Keiller
ESSAY
On Being Paulette
By
Dai Vaughan
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
ESSAY
For a Reconsideration of Soft and Hard
By
Jerry White
ESSAY
It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard
By
Robert Barry
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
ESSAY
“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling
By
Corin Depper
QUESTION AND ANSWER
The Patagonian Hare
By
Libby Saxton
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