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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami
|
Merzak Allouache
|
Gaston Kaboré
|
Nour-Eddine Sail
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
OBITUARY
Tributes: Tomas Gutierrez Alea
By
Julio Garcia Espinosa
|
Michael Chanan
REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
ARTICLE
Godard's Sons: Why Are they all Bastards?
By
Laurence Remila
ARTICLE
Cinematic Rebellion
By
Lucinda Henderson
|
Brian Robinson
ARTICLE
Joined-up Reading: The Problem of Subtitles
By
Jane Giles
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ARTICLE
Vertigo Reports...
ARTICLE
The Man from London: Notes after the Event
By
Dai Vaughan
OBITUARY
When Faces Counted Most
By
Noah Isenberg
ARTICLE
In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema
By
Chris Petit
ARTICLE
Like an Anaconda, Blowing in the Wind
By
Mark Stafford
INTERVIEW
Searching for the Heart of Memory
By
Nancy Harrison
ESSAY
Image, Meaning, History… & the Voice of God
By
James Leahy
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