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ARTICLE
Letter from Ouagadougou: On Fespaco’s Fringe
By
Graeme McElheran
ARTICLE
Reading the Modern: Narratives in Cinema and Literature
By
Dorota Ostrowska
REVIEW
Godard as God?
By
Emilie Bickerton
ARTICLE
Vamp (vāmp) n. Something Rehashed, as a Book Based on Old Material
By
Rosy Rockets
ARTICLE
A Letter from the Edge: Making and Surviving The Fall
By
Peter Whitehead
ESSAY
Turn On, Tune In, Cop Out: The Commodification of Revolution
By
Penny Rimbaud
ARTICLE
S.T.A.L.K.E.R. or Stalker
By
Daniel Stuyck
ESSAY
The Hour of the Furnaces: Crafting a Revolutionary Cinema
By
Mariano Mestman
OBITUARY
The Ghost of Goto: Walerian Borowczyk Remembered
By
Daniel Bird
ARTICLE
Londres, Bombay: Stations on the Journey
By
Patrick Keiller
ESSAY
On Being Paulette
By
Dai Vaughan
ESSAY
Entering the Desert: The Book of Film Socialisme
By
James S. Williams
ESSAY
For a Reconsideration of Soft and Hard
By
Jerry White
ESSAY
It's Not Blood, It's Red: Colour(s) of Jean-Luc Godard
By
Robert Barry
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
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