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ARTICLE
Songs from Second Life: Report from a Virtual Reality
By
Verena v. Stackelberg
ARTICLE
African Cinema: Addressee
By
Rod Stoneman
ESSAY
Dissident Surrealism
By
Michael Eaton
ARTICLE
Being There: Virtual Reality in the Cinema
By
Jim McClellan
ARTICLE
Raining Stones II: A View from Paris
By
Philippe Pilard
ARTICLE
Coining the Right Phrase: Reflections on Last Autumn’s CBI/BFT Conference
By
Holly Aylett
ARTICLE
Fespaco: Nationalism or Pan-Africanism? A Takeover for our Times!
By
Abdul War
|
Med Hondo
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami
|
Merzak Allouache
|
Gaston Kaboré
|
Nour-Eddine Sail
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
OBITUARY
Tributes: Tomas Gutierrez Alea
By
Julio Garcia Espinosa
|
Michael Chanan
REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
ARTICLE
Godard's Sons: Why Are they all Bastards?
By
Laurence Remila
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ESSAY
In the Perceptible Field
By
Catherine Elwes
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