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ESSAY
Dissident Surrealism
By
Michael Eaton
ESSAY
Globalisation
By
Armand Mattelart
REVIEW
Magnum Cinema
By
James Leahy
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami
|
Merzak Allouache
|
Gaston Kaboré
|
Nour-Eddine Sail
ESSAY
Trailer for Godard's Histoire(s) du Cinema
By
Jonathan Rosenbaum
ESSAY
In the Perceptible Field
By
Catherine Elwes
MANIFESTO
Kino Korrespondence
By
Ken McMullen
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ESSAY
Broken Trust of the Image
By
Dai Vaughan
ARTICLE
Building Bridges
By
Peter Loizos
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
INTERVIEW
The Dardenne Brothers
By
Robert Chilcott
ARTICLE
Modern Ruin: The Future is Already Here
By
Grant Gee
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
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