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ARTICLE
Mobile Men: Apichatpong Weerasethakul’s Migrant
By
Rob Dennis
ARTICLE
A Place Weeping: Gaza and the Myriad Abuses
By
John Berger
ARTICLE
Amytis Yearns for Ecbatana: Field Recordings from the Hanging Gardens of Babylon
By
Vaughan Pilikian
QUESTION AND ANSWER
Altman Took Me Gambling
By
Robert Chilcott
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Anxious Visions
By
Keith Griffiths
ARTICLE
“The skin, the aging, the imperfection, the colour, the beauty”
By
Sophie Mayer
ARTICLE
Transitions: Cinema and Video Art from Georgia
By
James Norton
ARTICLE
‘Amateur’ Auteurs
By
Rob Dennis
ARTICLE
Arab and African Cinema’s Uncertain Future
By
Kamran Rastegar
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
The State of Things: Transition in South African Cinema
By
Jeremy Nathan
ARTICLE
Kate Adams: Feeling and Knowing
By
Catherine Elwes
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
QUESTION AND ANSWER
Bearing Witness... Tony Garnett on Cops, Community and the TV Audience
By
M.K. MacMurraugh-Kavanagh
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