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ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
The State of Things: Transition in South African Cinema
By
Jeremy Nathan
INTERVIEW
Attention: Benedek Fliegauf, Milky Way and a Cinema of Meditation
By
John Bradburn
ARTICLE
Image Picture Frame
By
Jon Jost
|
Patrick Keiller
|
Sam Lamche McMullen
|
John Maybury
|
Amie Siegel
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
ARTICLE
Box of Illusions
By
Elizabeth Wood
ARTICLE
Pride and Prejudice
By
Julie McNamara
ARTICLE
A Critical Voice
By
Henry K Miller
ARTICLE
Controlled Collisions
By
Tony Grisoni
ARTICLE
Hanspeter and me
By
Peter Matthews
ARTICLE
In this World
By
Tony Grisoni
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
DOCUMENT
Barton Aerodrome: From a Work-in-Process
By
Nicholas Royle
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
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