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ARTICLE
Wake Up, Freak Out – Then Get a Grip
By
Leo Murray
ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
REVIEW
Plot in Cinematography: Victor Shklovsky, Literature and Cinematography
By
Victor Shklovsky
ARTICLE
Against the Poverty of the World: Viktor Shklovsky and the Critical Mass
By
James Norton
ARTICLE
Desire in Action: The Cube Microplex and the Future of Cinema
By
Graeme Hogg
|
Chris Williams
REVIEW
So, Nu?: Questioning Jewish Autobiographical Documentary
By
Sophie Mayer
REVIEW
The Animals Film: Telling it Like it Is
By
James Norton
ESSAY
Divisions Upon a Ground
By
Dai Vaughan
ARTICLE
Platform Alterations: Vertigo Expands its Online Interventions
By
Anne Robinson
ARTICLE
The Man from London
By
John Bradburn
ARTICLE
You See the End Before the Beginning Has Ever Begun
By
Owen Armstrong
ARTICLE
Iranian Impromptu
By
Jack McNamara
ARTICLE
Making the Political Personal
By
Owen Armstrong
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
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