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ARTICLE

Wake Up, Freak Out – Then Get a Grip

By Leo Murray
ARTICLE

When Signs Come Home to Roost: Dan Geva’s Description of a Memory

By Catherine Lupton
REVIEW

Plot in Cinematography: Victor Shklovsky, Literature and Cinematography

By Victor Shklovsky
ARTICLE

Against the Poverty of the World: Viktor Shklovsky and the Critical Mass

By James Norton
ARTICLE

Desire in Action: The Cube Microplex and the Future of Cinema

By Graeme Hogg | Chris Williams
REVIEW

So, Nu?: Questioning Jewish Autobiographical Documentary

By Sophie Mayer
REVIEW

The Animals Film: Telling it Like it Is

By James Norton
ESSAY

Divisions Upon a Ground

By Dai Vaughan
ARTICLE

Platform Alterations: Vertigo Expands its Online Interventions

By Anne Robinson
ARTICLE

The Man from London

By John Bradburn
ARTICLE

You See the End Before the Beginning Has Ever Begun

By Owen Armstrong
ARTICLE

Iranian Impromptu

By Jack McNamara
ARTICLE

Making the Political Personal

By Owen Armstrong
REVIEW

Pasolini and Sade: A Maleficent Obsession

By Stephen Barber
ESSAY

Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films

By Tom Smith
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