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ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Four Nights with Jerzy
By
John Riley
ARTICLE
Phonography and the Drift
By
Owen Armstrong
INTERVIEW
The Dardenne Brothers
By
Robert Chilcott
ARTICLE
The Freefall Death of the Cultural Critic and Other Related Matters, or, the Art of Nonchalance
By
Chris Petit
ARTICLE
Visual Art and the Moving Image
By
James Swinson
ARTICLE
If You Wish to See, Listen: The School of Sound
By
Larry Sider
INTERVIEW
Love Is the Devil
By
John Maybury
|
Ben Gibson
ESSAY
U.S. and Them: I’m Not There and American Surrealism
By
Jerry White
ARTICLE
And this is Now: Reflection on Eight Months of the Lux Cinema
By
Helen de Witt
ARTICLE
The Moving and the Still
By
Sukhdev Sandhu
ARTICLE
You See the End Before the Beginning Has Ever Begun
By
Owen Armstrong
ARTICLE
Iranian Impromptu
By
Jack McNamara
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
ESSAY
On a Street of Crocodiles: Channel 4 in an Age of Vision
By
Clare Kitson
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