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ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan
ARTICLE

Four Nights with Jerzy

By John Riley
ARTICLE

Phonography and the Drift

By Owen Armstrong
INTERVIEW

The Dardenne Brothers

By Robert Chilcott
ARTICLE

The Freefall Death of the Cultural Critic and Other Related Matters, or, the Art of Nonchalance

By Chris Petit
ARTICLE

Visual Art and the Moving Image

By James Swinson
ARTICLE

If You Wish to See, Listen: The School of Sound

By Larry Sider
INTERVIEW

Love Is the Devil

By John Maybury | Ben Gibson
ESSAY

U.S. and Them: I’m Not There and American Surrealism

By Jerry White
ARTICLE

And this is Now: Reflection on Eight Months of the Lux Cinema

By Helen de Witt
ARTICLE

The Moving and the Still

By Sukhdev Sandhu
ARTICLE

You See the End Before the Beginning Has Ever Begun

By Owen Armstrong
ARTICLE

Iranian Impromptu

By Jack McNamara
MANIFESTO

The Filmmaker as Symbiont

By Manu Luksch | Mukul Patel
ESSAY

On a Street of Crocodiles: Channel 4 in an Age of Vision

By Clare Kitson
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