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ARTICLE
Real Lives: Camcorder Cults
By
Jon Dovey
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ARTICLE
I Like the FID and the FID Likes Me
By
Celluloid Liberation Front
ARTICLE
Tears of a Kook
By
Rosy Rockets
ARTICLE
Transitions: Cinema and Video Art from Georgia
By
James Norton
ARTICLE
Dance of the Wind: Biography of a Colonised Heart
By
Rajan Khosa
ARTICLE
And this is Now: Reflection on Eight Months of the Lux Cinema
By
Helen de Witt
ARTICLE
For What We Are about to Receive
By
Graeme Hobbs
ARTICLE
Filming in Hot Sun: Kenya, Kibera and the Power of the Image
By
Piotr Cieplak
ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
ARTICLE
Desire in Action: The Cube Microplex and the Future of Cinema
By
Graeme Hogg
|
Chris Williams
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
INTERVIEW
Close Up on a Field without Definition
By
David Curtis
|
Gary Thomas
|
William Raban
ARTICLE
Kate Adams: Feeling and Knowing
By
Catherine Elwes
REVIEW
Eye Candy or New Indie Cinema?
By
Holly Aylett
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