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ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
ARTICLE
New Films
By
Vertigo
ARTICLE
Carla's Song: Day 28 of Shoot
By
Paul Laverty
REVIEW
The Disappearance of Finbar I
By
Joe Parry
ARTICLE
Two Views of Cannes: Cannes Do
By
Sue Clayton
ARTICLE
Two Views of Cannes: Virginia Heath, Goes to the Market
By
Virginia Heath
ARTICLE
New Technology: Virtually Free
By
Brian Winston
|
Paul Walton
ARTICLE
New Technology: Media Meltdown
By
Granville Williams
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
ARTICLE
The Critic as Censor
By
Julian Petley
OBITUARY
Tributes: Marguerite Duras
By
Jill Forbes
REVIEW
Claiming the Real: The Documentary Film Revisited by Brian Winston
By
Margaret Dickinson
REVIEW
Bill Viola: Reasons for Knocking at an Empty House: Writings 1973-1994
By
Nicky Hamlin
ARTICLE
Vertigo Café: Illuminating Cinematography
By
Cathy Greenhalgh
ARTICLE
Vertigo Café: 'Screen Griots' African Cinema in London
By
Michael Chanan
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