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ARTICLE
The Saragossa Manuscript and The Recording Angel Ensemble
By
Owen Armstrong
ARTICLE
Nothing is More Bourgeois than Being Afraid to Look Bourgeois
By
Robert Chilcott
ARTICLE
The Third Mind of Christophe Honore
By
Lee Hill
ARTICLE
Reeling: Is the British Film Institute at Risk?
By
Michael Chanan
ARTICLE
Filming Gravel and Stones in Cambodia
By
Edward Hofman
ARTICLE
Have You Seen the Stars Tonight?
By
Adam Pugh
ARTICLE
Ann Course and Paul Clark Tell us What they Like and Why…
By
Ann Course
|
Paul Clark
ARTICLE
Final Residues of the Image: On Marcus Reichert
By
Stephen Barber
ARTICLE
Dmitri Shostakovich and the Free Space of Music
By
John Riley
ARTICLE
Under the Linden Tree
By
Tereza Stehlíková
ARTICLE
A Filmosophy of the Dardennes
By
Daniel Frampton
ARTICLE
Wholly Attending: Notes on the Lessons of Black Sun
By
Gareth Evans
ARTICLE
The Atrocity Exhibition: A Director's Statement
By
Jonathan Weiss
ARTICLE
Noise and Silence and Smoke and Stars: On Jiří Weiss’s Romeo, Juliet and Darkness
By
Graeme Hobbs
ARTICLE
House without a Door
By
Bernd Behr
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