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ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Russian Cinema at the Everyman
By
Julian Petley
ARTICLE
Transitions: Cinema and Video Art from Georgia
By
James Norton
ARTICLE
Visual Art and the Moving Image
By
James Swinson
ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ESSAY
U.S. and Them: I’m Not There and American Surrealism
By
Jerry White
ARTICLE
And this is Now: Reflection on Eight Months of the Lux Cinema
By
Helen de Witt
ARTICLE
Modern Ruin: The Future is Already Here
By
Grant Gee
REVIEW
Plot in Cinematography: Victor Shklovsky, Literature and Cinematography
By
Victor Shklovsky
ARTICLE
Arab and African Cinema’s Uncertain Future
By
Kamran Rastegar
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
On a Street of Crocodiles: Channel 4 in an Age of Vision
By
Clare Kitson
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
REVIEW
Cultural Imperialism or Vibrant Moving Image?
By
Anna Thew
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