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DOCUMENT

Barton Aerodrome: From a Work-in-Process

By Nicholas Royle
ARTICLE

Drive, He Said

By Gareth Evans
OBITUARY

We do everything for this art, but this art isn’t everything

By George Clark | Redmond Entwistle
ARTICLE

Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan

By Go Hirasawa
ARTICLE

Sono Sion: The Dark Poet

By Maggie Lee
ARTICLE

Visual Music: The Animation of Norman McLaren

By Nancy Harrison
DOCUMENT

The Abingdon Film Unit

By Jeremy Taylor | Michael Grigsby
ESSAY

From First Principles: A Prehistory of the Slade Film Department

By Henry K. Miller
DOCUMENT

The Quay Brothers Dictionary

By Michael Brooke
SCRIPT

Unrequited Love

By Chris Petit
ARTICLE

Notes on Further Investigation

By John Bradburn
ARTICLE

Exploiting the Innocent Heroine

By Elzemieke de Tiege
ARTICLE

Doomed L’Amour de la Mer

By Robert Chilcott
QUESTION AND ANSWER

Pawel Pawlikowski Masterclass: Between Documentary and Drama

By Doc House
INTERVIEW

One Meditation on Partition: Ken McMullen in Conversation

By James Leahy
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