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DOCUMENT
Barton Aerodrome: From a Work-in-Process
By
Nicholas Royle
ARTICLE
Drive, He Said
By
Gareth Evans
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark
|
Redmond Entwistle
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Sono Sion: The Dark Poet
By
Maggie Lee
ARTICLE
Visual Music: The Animation of Norman McLaren
By
Nancy Harrison
DOCUMENT
The Abingdon Film Unit
By
Jeremy Taylor
|
Michael Grigsby
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
DOCUMENT
The Quay Brothers Dictionary
By
Michael Brooke
SCRIPT
Unrequited Love
By
Chris Petit
ARTICLE
Notes on Further Investigation
By
John Bradburn
ARTICLE
Exploiting the Innocent Heroine
By
Elzemieke de Tiege
ARTICLE
Doomed L’Amour de la Mer
By
Robert Chilcott
QUESTION AND ANSWER
Pawel Pawlikowski Masterclass: Between Documentary and Drama
By
Doc House
INTERVIEW
One Meditation on Partition: Ken McMullen in Conversation
By
James Leahy
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