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ESSAY
Intimate Witnesses
By
Catherine Elwes
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
ARTICLE
Notes on an Indulgence
By
Catherine Clinger
ARTICLE
Still/Moving: Desire Paths in Dryden Goodwin's Flight
By
Gareth Evans
ARTICLE
Songs of Innocence and Experience
By
Gareth Evans
ARTICLE
London Eyes
By
Stephen Barber
|
Jeremy Reed
ARTICLE
The Wild East
By
Sian Glaessner
ARTICLE
The Fragile Relations of Ecology
By
Janet Harbord
ARTICLE
Drive, He Said
By
Gareth Evans
REVIEW
The Poetry of Commitment
By
Gareth Evans
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark
|
Redmond Entwistle
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
ARTICLE
In the National Interest?: Questions of Independence in Indian Cinema
By
Gayatri Chatterjee
REVIEW
Andrew Kötting’s Gallivant
By
Gareth Evans
SCRIPT
Script and Script Again
By
Malcolm Mowbray
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