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ARTICLE
Elf & Safety vs. Old World
By
Almendra Maria Mcbride Perez
REVIEW
The Headless Woman
By
David Sin
OBITUARY
A Movie and Much, Much More: Iconic Artist Bruce Conner Remembered
By
Jon Davies
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ESSAY
The Cinema Effect
By
Patrick Ellis
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
The Ballerina Ballroom Cinema of Dreams
By
Mark Cousins
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
EDITORIAL
Volume 2 - Issue 1 - Vertigo’s Back
By
Vertigo
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir
|
Cathy Greenhalgh
|
Peter Culshaw
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