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ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ARTICLE
The New Black
By
Karen Alexander
ARTICLE
A Way of Not Losing Heart: Independent Image-making in Occupied Iraq
By
Maysoon Pachachi
ARTICLE
Liminal: A Question of Position
By
Chris Lane
MANIFESTO
The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)
By
the Celluloid Liberation Front
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller
By
Davina Quinlivan
INTERVIEW
Everywhere Is Different and Everywhere Is the Same: Frederick Wiseman and the Making of the World
By
Robert Chilcott
ESSAY
In the Perceptible Field
By
Catherine Elwes
ARTICLE
Folk Routes
By
Adam Pugh
ARTICLE
The Man from London: Notes after the Event
By
Dai Vaughan
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
ARTICLE
In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema
By
Chris Petit
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
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