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ARTICLE
Shaun of the Dead: Witness Reports
By
Sophie Mayer
|
Lady Vervaine
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
ARTICLE
Still/Moving: Desire Paths in Dryden Goodwin's Flight
By
Gareth Evans
ARTICLE
Songs of Innocence and Experience
By
Gareth Evans
INTERVIEW
Gardens in Autumn
By
Rob McCrae
ARTICLE
Kiss Kiss Bang Bang: Elizabeth McAlpine's Adventures in Cinema
By
Sarah Wood
ARTICLE
Once More, into the Zone... Chris Marker Looks Back, in Wonder
By
Chris Darke
DOCUMENT
Barton Aerodrome: From a Work-in-Process
By
Nicholas Royle
ARTICLE
The Fragile Relations of Ecology
By
Janet Harbord
ARTICLE
Drive, He Said
By
Gareth Evans
ARTICLE
In Spite of Co-Production: Surviving to Make Films in Lithuania
By
Audrius Juzenas
REVIEW
The Poetry of Commitment
By
Gareth Evans
OBITUARY
We do everything for this art, but this art isn’t everything
By
George Clark
|
Redmond Entwistle
ARTICLE
In the National Interest?: Questions of Independence in Indian Cinema
By
Gayatri Chatterjee
ESSAY
Narrative as Myth & Memory
By
Aleksandar Dundjerovich
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