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ARTICLE
Optimism at Point of No Return: Dan Walwin and the Implications of Landscape
By
Gareth Evans
SCRIPT
These Are The Times: Episodes from a Life of Thomas Paine
By
Trevor Griffiths
OBITUARY
When Faces Counted Most
By
Noah Isenberg
REVIEW
Betrayed by Rita Hayworth
By
James Norton
ARTICLE
A New Way Must Be Seen
By
Sukhdev Sandhu
ARTICLE
In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema
By
Chris Petit
ESSAY
Blind Spot: Judy Price and Metaphors of Vision in Israel and Palestine
By
Lucy Reynolds
ARTICLE
There Are no Lions in the Scottish Highlands
By
John Riley
INTERVIEW
Conte de Fesses to Conte de Fées
By
James Norton
QUESTION AND ANSWER
Altman Took Me Gambling
By
Robert Chilcott
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Writing Red Riding
By
Tony Grisoni
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
ARTICLE
Don't Try this at Home: Tarantino
By
Ian Penman
ARTICLE
‘Amateur’ Auteurs
By
Rob Dennis
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