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REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
The Ballerina Ballroom Cinema of Dreams
By
Mark Cousins
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir
|
Cathy Greenhalgh
|
Peter Culshaw
INTERVIEW
Close Up on a Field without Definition
By
David Curtis
|
Gary Thomas
|
William Raban
ARTICLE
Reading the Darkness
By
James Rose
INTERVIEW
Science and its Signs
By
James Leahy
REVIEW
The Main Course
By
the Celluloid Liberation Front
INTERVIEW
Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema
By
Gareth Evans
REVIEW
Desire and Sexuality – Animating the Unconscious
By
David Surman
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
SCRIPT
Germany and England / England and Germany: Proposal for a Film, June 2008
By
Chris Petit
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