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ARTICLE
From Brit-Flicks to Shit-Flicks
By
Julien Petley
ARTICLE
(Not) Gone to Ground
By
Gareth Evans
ARTICLE
The White Horse, Seul Contre Tous and Notes on Meat as Metaphor
By
Jane Giles
REVIEW
Transcending the Abject: A review of Seul contre tous
By
Tony McKibbin
REVIEW
Beyond the Clean and Proper
By
Kimberley Cooper
INTERVIEW
A Chain Letter to the Future
By
Kieron Corless
ARTICLE
Celluloid Singapore
By
Ben Slater
ARTICLE
Putting it on the Map
By
Alex Usborne
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
ARTICLE
Shaun of the Dead: Witness Reports
By
Sophie Mayer
|
Lady Vervaine
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
ARTICLE
Still/Moving: Desire Paths in Dryden Goodwin's Flight
By
Gareth Evans
ARTICLE
Songs of Innocence and Experience
By
Gareth Evans
ARTICLE
London Eyes
By
Stephen Barber
|
Jeremy Reed
DOCUMENT
Barton Aerodrome: From a Work-in-Process
By
Nicholas Royle
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