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ESSAY
On the Quays’ Side: The Comb (from The Museums of Sleep)
By
Claire Kitson
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
LETTER
A Letter to Chris Smith
By
Ben Gibson
ARTICLE
In a Lonely Place: Tony Grisoni’s Kingsland
By
Iain Sinclair
REVIEW
Plot in Cinematography: Victor Shklovsky, Literature and Cinematography
By
Victor Shklovsky
ARTICLE
Against the Poverty of the World: Viktor Shklovsky and the Critical Mass
By
James Norton
ARTICLE
That Was the Mayday that Was: Photographing Resistance
By
Sukhdev Sandhu
ARTICLE
Platform Alterations: Vertigo Expands its Online Interventions
By
Anne Robinson
ARTICLE
Alfredo Garcia and Other Peckinpah Tales
By
Lee Hill
INTERVIEW
The Silent Majority
By
Owen Armstrong
ARTICLE
Look Around You, What Beauty! Long Live Kazakhstan
By
John Gorick
INTERVIEW
Darkness Visible
By
Jon Davies
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
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