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ESSAY
Intimate Witnesses
By
Catherine Elwes
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
ARTICLE
In the Shell of the Ear: Listening to the School of Sound 2007
By
John Bradburn
INTERVIEW
Gardens in Autumn
By
Rob McCrae
DOCUMENT
Barton Aerodrome: From a Work-in-Process
By
Nicholas Royle
ARTICLE
In Spite of Co-Production: Surviving to Make Films in Lithuania
By
Audrius Juzenas
REVIEW
The Poetry of Commitment
By
Gareth Evans
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
ESSAY
Narrative as Myth & Memory
By
Aleksandar Dundjerovich
ARTICLE
Red Army Fictions
By
Kieron Corless
SCRIPT
Script and Script Again
By
Malcolm Mowbray
ARTICLE
Lessons from America
ARTICLE
Sink or Swim – The Muddy Waters of Independent Distribution
By
Caroline Freeman
|
Kate Gerova
ARTICLE
Skinflicks
By
Gareth Evans
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