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ARTICLE
The Commission: Third Instalment of a Short Story
By
Hugh Brody
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami
|
Merzak Allouache
|
Gaston Kaboré
|
Nour-Eddine Sail
ARTICLE
Two Views of Cannes: Virginia Heath, Goes to the Market
By
Virginia Heath
INTERVIEW
Return of the Reforgotten
By
Vertigo
ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
ARTICLE
Sleep Furiously
By
Graeme Hobbs
ARTICLE
Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller
By
Davina Quinlivan
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
OBITUARY
When Faces Counted Most
By
Noah Isenberg
ARTICLE
In The Room: Lost Cinema, Post-Cinema, Post-Traumatic Cinema
By
Chris Petit
INTERVIEW
Antonio Campos Interviewed
By
Mark Stafford
ARTICLE
Writing Red Riding
By
Tony Grisoni
ARTICLE
I never thought that one day I’d have to pin my hopes on Hitler
By
Elke De Wit
INTERVIEW
What is Animation? Bob Godfrey in Conversation
By
Martin Pickles
ARTICLE
The History of Cinema and History in Cinema
By
Chris Petit
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