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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami
|
Merzak Allouache
|
Gaston Kaboré
|
Nour-Eddine Sail
ARTICLE
Two Views of Cannes: Cannes Do
By
Sue Clayton
ARTICLE
Regeneration? Part I: The Lottery: Where Will all the Money Go?
By
Steve McIntyre
|
Sally Hibbin
LETTER
A Word in your Ear, Minister...
By
Julian Petley
ARTICLE
Hotel Diaries: John Smith Makes Room for Reflection
By
Ian Christie
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
Visible Thresholds: The Imaginary Cinema of Janet Cardiff and George Bures Miller
By
Davina Quinlivan
ARTICLE
Writing as Magic in London in Its Summer: Iain Sinclair and the Crafting of Place
By
Kathy Acker
INTERVIEW
Conte de Fesses to Conte de Fées
By
James Norton
QUESTION AND ANSWER
Altman Took Me Gambling
By
Robert Chilcott
ARTICLE
Writing Red Riding
By
Tony Grisoni
INTERVIEW
The Mind of a Commissioning Editor
By
Michael Chanan
|
Margaret Dickinson
INTERVIEW
What is Animation? Bob Godfrey in Conversation
By
Martin Pickles
EDITORIAL
Volume 4 - Issue 2 - Resistance is Fertile: The Independent Image
By
John Jordan
INTERVIEW
Love Is the Devil
By
John Maybury
|
Ben Gibson
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