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MANIFESTO
Two Thousand Words: A Manifesto for Prague
By
Ludvik Vaculik
INTERVIEW
Look Out, It’s Real!: J.G. Ballard on Mondo Cinema and the 1960s
By
Mark Goodall
ARTICLE
Grosvenor Square: On Not Getting to Paris
By
Iain Sinclair
ARTICLE
To See, If Only Once: Eurydice - She, So Beloved…
By
James Rose
INTERVIEW
Chaos Theories
By
Mar Diestro-Dopido
ARTICLE
European Memory Zones: Consciousness, Conflict, Continental Drift
By
Stephen Barber
ARTICLE
''What you get is exactly what you see'': Denis Lenoir, Director of Photography
By
Jean-Michel Frodon
ESSAY
No Hope without the Possibility of a Wound
By
Gareth Evans
ARTICLE
The Slade School and Cinema: Part Two
By
Henry K. Miller
DIARY
Fort William: Remote Digital Enlightenment
By
Norrie Maclaren
INTERVIEW
Song of Innocence and Experience
By
Jason Wood
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
ESSAY
"Tensional Differences": The Anxiety of Re-Mediation in Jean-Luc Godard’s New Wave Films
By
Ágnes Pethő
ESSAY
“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling
By
Corin Depper
INTERVIEW
As I See You You See Me
By
Julian Ross
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