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ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami
|
Merzak Allouache
|
Gaston Kaboré
|
Nour-Eddine Sail
ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
INTERVIEW
Interview with The Minister for Film and Tourism, Tom Clarke
By
Vertigo
REVIEW
The Animals Film: Telling it Like it Is
By
James Norton
ARTICLE
The Independent Film Parliament
By
Holly Aylett
ARTICLE
First World Film
By
Mark Cousins
ARTICLE
Film Criticism: Why Bother?
By
Chris Darke
ARTICLE
Film as Subversive Art
By
Scott MacDonald
INTERVIEW
Death Cultures, the Occupied Territories and Film
By
Avi Mograbi
ARTICLE
Telling it Like it Is: A Report from the Sheffield International Documentary Festival
By
Holly Aylett
SCRIPT
Cinema Of Prayōga: Indian Experimental Film & Video 1913-2006
By
Tanya Singh
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Ecovisions: Seeing Animals in Recent Ethnographic Film
By
Anat Pick
ARTICLE
The Cinematic Tango: Contemporary Argentine Film
By
Tamara Falicov
DOCUMENT
The Abingdon Film Unit
By
Jeremy Taylor
|
Michael Grigsby
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