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INTERVIEW
Love Is the Devil
By
John Maybury
|
Ben Gibson
ARTICLE
Expanded Practice in Television: Defending the Right to Difference
By
William Raban
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
REVIEW
Redacted: The Invisible Film on the ‘Invisible’ War
By
the Celluloid Liberation Front
ESSAY
Divisions Upon a Ground
By
Dai Vaughan
MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
INTERVIEW
Close Up on a Field without Definition
By
David Curtis
|
Gary Thomas
|
William Raban
ARTICLE
Reading the Darkness
By
James Rose
REVIEW
The Main Course
By
the Celluloid Liberation Front
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
EDITORIAL
Volume 2 - Issue 2 - Editorial
ARTICLE
Cobra Mist: Emily Richardson and the Legacy of Orford Ness
By
Will Stone
ARTICLE
A New Era for Scottish Screen
By
Christeen Winford
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