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MANIFESTO
The Filmmaker as Symbiont
By
Manu Luksch
|
Mukul Patel
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Moving Memories: Video / Film – Archival Traces
By
Nick Stewart
ESSAY
Filming the ‘Unfilmable’: Thoughts on Shoah
By
Libby Saxton
ARTICLE
In Spite of Co-Production: Surviving to Make Films in Lithuania
By
Audrius Juzenas
ARTICLE
The Independent Film Parliament
By
Holly Aylett
ARTICLE
Film in Cornwall
By
Antal Kovacs
ARTICLE
Film Criticism: Why Bother?
By
Chris Darke
QUESTION AND ANSWER
The Terminal Man
By
Jason Wood
ARTICLE
The Art of Destruction: The Films of the Vienna Action Group
By
Stephen Barber
REVIEW
Tony Sinden: Everything Must Go – Installation, Video and Film
By
Lucy Reynolds
ARTICLE
Film as Subversive Art
By
Scott MacDonald
REVIEW
Subtitles: On the Foreignness of Film
By
Chris Darke
REVIEW
Visionary Landscapes: The Films of Nina Danino
By
Althea Greenan
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