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ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
ARTICLE
Desire in Action: The Cube Microplex and the Future of Cinema
By
Graeme Hogg
|
Chris Williams
ARTICLE
That Was the Mayday that Was: Photographing Resistance
By
Sukhdev Sandhu
ARTICLE
Arab and African Cinema’s Uncertain Future
By
Kamran Rastegar
ARTICLE
You See the End Before the Beginning Has Ever Begun
By
Owen Armstrong
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
INTERVIEW
Close Up on a Field without Definition
By
David Curtis
|
Gary Thomas
|
William Raban
REVIEW
The Main Course
By
the Celluloid Liberation Front
REVIEW
Desire and Sexuality – Animating the Unconscious
By
David Surman
ARTICLE
Mysterious Britain: Jane Arden, Jethro Tull and 1973
By
Sean Kaye-Smith
ARTICLE
In their own Image
By
Hasan Sahan
INTERVIEW
For Cannes or Abidjan?
By
Holly Aylett
ARTICLE
Waving, Drowning or Back Crawl?
By
Janet Harbord
ARTICLE
We Do the Real Thing
By
Christopher Roth
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