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ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir
|
Cathy Greenhalgh
|
Peter Culshaw
INTERVIEW
Close Up on a Field without Definition
By
David Curtis
|
Gary Thomas
|
William Raban
ARTICLE
Reading the Darkness
By
James Rose
INTERVIEW
Science and its Signs
By
James Leahy
INTERVIEW
Arctic Dreams: Asif Kapadia, Far North and the Possibilities of Cinema
By
Gareth Evans
REVIEW
Desire and Sexuality – Animating the Unconscious
By
David Surman
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
ARTICLE
Kate Adams: Feeling and Knowing
By
Catherine Elwes
ARTICLE
Cobra Mist: Emily Richardson and the Legacy of Orford Ness
By
Will Stone
REVIEW
Cultural Imperialism or Vibrant Moving Image?
By
Anna Thew
ARTICLE
Image Picture Frame
By
Jon Jost
|
Patrick Keiller
|
Sam Lamche McMullen
|
John Maybury
|
Amie Siegel
ARTICLE
A New Era for Scottish Screen
By
Christeen Winford
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