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ARTICLE
Still/Moving: Desire Paths in Dryden Goodwin's Flight
By
Gareth Evans
INTERVIEW
Gardens in Autumn
By
Rob McCrae
ARTICLE
Once More, into the Zone... Chris Marker Looks Back, in Wonder
By
Chris Darke
DOCUMENT
Barton Aerodrome: From a Work-in-Process
By
Nicholas Royle
ARTICLE
Drive, He Said
By
Gareth Evans
ARTICLE
In Spite of Co-Production: Surviving to Make Films in Lithuania
By
Audrius Juzenas
REVIEW
The Poetry of Commitment
By
Gareth Evans
ARTICLE
Madness Contained: Werner Herzog’s Return to the ‘scene of the crime’
By
Brad Prager
REVIEW
Andrew Kötting’s Gallivant
By
Gareth Evans
ESSAY
Narrative as Myth & Memory
By
Aleksandar Dundjerovich
ARTICLE
Reality Check
By
Elizabeth Wood
ARTICLE
Red Army Fictions
By
Kieron Corless
SCRIPT
Script and Script Again
By
Malcolm Mowbray
ARTICLE
Sink or Swim – The Muddy Waters of Independent Distribution
By
Caroline Freeman
|
Kate Gerova
ARTICLE
Skinflicks
By
Gareth Evans
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