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REVIEW
The Disappearance of Finbar II
By
Sean Cubitt
ARTICLE
‘He was the only man I had been waiting for.’ Monsieur Artaud and Monsieur Prevel
By
Patricia Duncker
REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
ARTICLE
Vertigo Café: Fatwa against Woman Filmmaker
ARTICLE
Gallivant I
By
Kimberley Cooper
ARTICLE
Gluttonous Anniversary
By
Celluloid Liberation Front
REVIEW
Gallivant II
By
Margaret Dickinson
ARTICLE
I Wanted a Girl so she Could Give me a Hand
By
Rosy Rockets
ARTICLE
Real Lives: Italian People Shows
By
Rita Crisci
ARTICLE
A Shrug of the Shoulders: Marcel L’Herbier’s L’Argent
By
Graeme Hobbs
ARTICLE
Mobile Men: Apichatpong Weerasethakul’s Migrant
By
Rob Dennis
ARTICLE
Duality of Light
By
Wendy Walker
MANIFESTO
The Cinematic Guerrilla (aka ‘the blind dialectic of vision’)
By
the Celluloid Liberation Front
ARTICLE
The Man from London: Notes after the Event
By
Dai Vaughan
ESSAY
At Risk of Interment: WG Sebald in Terezin and Breendonk
By
Will Stone
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