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ESSAY
The Hour of the Furnaces: Crafting a Revolutionary Cinema
By
Mariano Mestman
ARTICLE
Fatherlands: On Mahamat-Saleh Haroun, Africa and an Evolving Political Cinema
By
Jerry White
ARTICLE
Illuminating the Evidence
By
James Riley
ARTICLE
Light Reading
By
Gareth Evans
ARTICLE
Germany in Autumn
By
Pepe Petos
ESSAY
The Interventions of Jean-Luc Godard and Chris Marker into Contemporary Visual Art
By
David Brancaleone
ESSAY
Scénario du Film Passion: Writing Video at the End of Cinema
By
Duncan White
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
ARTICLE
Godard in the Gallery: Story of a Ruination
By
Adrian Martin
ESSAY
“Elpenor, Unburied”: Ezra Pound, Jean-Luc Godard and the Descent of Dwelling
By
Corin Depper
FILM PROGRAMME
29 May 2012: James Benning: Landscape Suicide
INTERVIEW
At Least I Will Know My Face
By
Lucy Reynolds
QUESTION AND ANSWER
Propaganda for the Politics of Joy and Disorder
By
Stuart Comer
INTERVIEW
State of Weightlessness
By
Michael Garrad
QUESTION AND ANSWER
Five Broken Cameras
By
Elizabeth Wood
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