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ARTICLE
Wake Up, Freak Out – Then Get a Grip
By
Leo Murray
REVIEW
Redacted: The Invisible Film on the ‘Invisible’ War
By
the Celluloid Liberation Front
ARTICLE
When Signs Come Home to Roost: Dan Geva’s Description of a Memory
By
Catherine Lupton
REVIEW
Plot in Cinematography: Victor Shklovsky, Literature and Cinematography
By
Victor Shklovsky
ESSAY
Empires of Tin
By
Jem Cohen
ARTICLE
The State of Documentary
By
Michael Chanan
ARTICLE
The Man from London
By
John Bradburn
ARTICLE
Look Around You, What Beauty! Long Live Kazakhstan
By
John Gorick
REVIEW
The Headless Woman
By
David Sin
ARTICLE
The White Spirits: From Bolshevism to Belfast, a Work and Life in Progress
By
Daniel Edelstyn
ESSAY
Moment by Moment by Moment: Reflections on Jonas Mekas’ 365 Films
By
Tom Smith
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir
|
Cathy Greenhalgh
|
Peter Culshaw
ARTICLE
The State of Things: Transition in South African Cinema
By
Jeremy Nathan
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