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INTERVIEW
Darkness Visible
By
Jon Davies
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
Holding Patterns and Long Tails: Benten Films and the Distribution of the Future
By
Ben Slater
ESSAY
The Cinema Effect
By
Patrick Ellis
ARTICLE
Conflict Resolutions: Alexander Sokurov, Alexandra and the Survival of the Human
By
James Norton
ARTICLE
Three Exercises in Symmetry: Marcel Carné and Filmic Formalities
By
Dai Vaughan
ARTICLE
The Ballerina Ballroom Cinema of Dreams
By
Mark Cousins
REVIEW
From Russia with Love
By
James Norton
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
ARTICLE
Crouching Tiger, Hidden Dragon
By
Nasreen Munni Kabir
|
Cathy Greenhalgh
|
Peter Culshaw
INTERVIEW
Close Up on a Field without Definition
By
David Curtis
|
Gary Thomas
|
William Raban
INTERVIEW
Science and its Signs
By
James Leahy
INTERVIEW
Attention: Benedek Fliegauf, Milky Way and a Cinema of Meditation
By
John Bradburn
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
REVIEW
Cultural Imperialism or Vibrant Moving Image?
By
Anna Thew
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