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MANIFESTO

The Double {+} Anchor: Notes Towards a Common Cause

By Jem Cohen
ESSAY

Divisions Upon a Ground

By Dai Vaughan
ARTICLE

Elf & Safety vs. Old World

By Almendra Maria Mcbride Perez
REVIEW

Pasolini and Sade: A Maleficent Obsession

By Stephen Barber
ARTICLE

All my Eye and Aristotle: Editing European Films

By Roger Crittenden
INTERVIEW

Close Up on a Field without Definition

By David Curtis | Gary Thomas | William Raban
ARTICLE

Marine Court Rendezvous: Sketches in Space and Time

By Iain Sinclair
REVIEW

Cultural Imperialism or Vibrant Moving Image?

By Anna Thew
ARTICLE

Factual Format or Documentary?

By Edward Milner
ARTICLE

Sundance in Scotland?

By Jonathan Murray
INTERVIEW

The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema

By James Norton
ARTICLE

What Are We For?

By Robert Chilcott
ESSAY

Simone Weil: Notes on a Timid Cinema

By Anat Pick
ESSAY

The Opened Hand: Reflections on Artur Aristakisyan's Palms

By Graeme Hobbs
ARTICLE

Tilda Swinton: In the Spirit of Derek Jarman

By Tilda Swinton
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