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ESSAY
Divisions Upon a Ground
By
Dai Vaughan
ARTICLE
Elf & Safety vs. Old World
By
Almendra Maria Mcbride Perez
REVIEW
Pasolini and Sade: A Maleficent Obsession
By
Stephen Barber
ARTICLE
All my Eye and Aristotle: Editing European Films
By
Roger Crittenden
INTERVIEW
Close Up on a Field without Definition
By
David Curtis
|
Gary Thomas
|
William Raban
ARTICLE
Marine Court Rendezvous: Sketches in Space and Time
By
Iain Sinclair
REVIEW
Cultural Imperialism or Vibrant Moving Image?
By
Anna Thew
ARTICLE
Factual Format or Documentary?
By
Edward Milner
ARTICLE
Sundance in Scotland?
By
Jonathan Murray
INTERVIEW
The Mystery, as Always: Raúl Ruiz, Klimt and the Poetics of Cinema
By
James Norton
ARTICLE
What Are We For?
By
Robert Chilcott
ESSAY
Simone Weil: Notes on a Timid Cinema
By
Anat Pick
ESSAY
The Opened Hand: Reflections on Artur Aristakisyan's Palms
By
Graeme Hobbs
ARTICLE
Tilda Swinton: In the Spirit of Derek Jarman
By
Tilda Swinton
ARTICLE
Cine Kazakhstan
By
James Norton
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