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Studies in Movement: Experiments by Three Filmmakers
A Worm’s Tail View Is Often the True One: Films by Pere Portabella
The New American Cinema and After
ARTICLE
Love, Music, Compromise: the Pop Promo
By
Rod Stoneman
ARTICLE
The Very Model of a Funding Agency: Reflections on the London Film and Video Development Agency
By
Steve McIntyre
ARTICLE
A Way of Not Losing Heart: Independent Image-making in Occupied Iraq
By
Maysoon Pachachi
ARTICLE
Anxious Visions
By
Keith Griffiths
ARTICLE
BFI Films: A Remit for Cultural Diversity
By
Jane Giles
ARTICLE
Making the Political Personal
By
Owen Armstrong
INTERVIEW
Remixing Hollywood
By
Nadine Poulain
ARTICLE
Tall Stories, Bottom Lines
By
Ben Woolford
INTERVIEW
Northern Light
By
Gregory Kurcewicz
ARTICLE
The Art of Destruction: The Films of the Vienna Action Group
By
Stephen Barber
REVIEW
We Jam Econo: The Story of the Minutemen
By
Jonathan Lemon
ARTICLE
Penny Woolcock on Exodus
By
Penny Woolcock
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