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REVIEW
Subtitles: On the Foreignness of Film
By
Chris Darke
London Korean Film Festival
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
The Liberated Film Club
By
Jonathan Rosenbaum
ESSAY
A Photograph and a Camera: Two Objects in Film Socialisme
By
Roland-François Lack
ARTICLE
Future of the BFI: Grandeur and Misery of Film Culture
By
Geoffrey Nowell-Smith
The Liberated Film Club XI with Dennis Cooper
ARTICLE
Kinoteka: Notes Towards London’s Sixth Polish Film Festival
By
Nancy Harrison
ESSAY
Scénario du Film Passion: Writing Video at the End of Cinema
By
Duncan White
ARTICLE
Why and for Whom Do We Film Today?
By
Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail
ARTICLE
Sundance Film Festival 2007
By
Lucinda Henderson and Brian Robinson
ARTICLE
Why Do You Make Films?: Film as a Bridge
By
Víctor Erice
ARTICLE
First World Film
By
Mark Cousins
INTERVIEW
The London Film School at 50
By
Robert Chilcott
BOOK
Un Chien Andalou & L'Âge D'Or
Author:
British Film Institute
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