Synopsis
Frantic frame edge defining nothingness.
"The anti-illusionist project engaged by
Clouds is that of dialectic materialism. There is virtually nothing on screen, in the sense of in screen. Obsessive repetition as materialist practice not psychoanalytical indulgence." –
Peter Gidal"Gidal's film
Clouds establishes an awareness of position, a confrontation, and it takes you back to you from the far reaches of eternal space the confrontation as with you." –
Stephen Dwoskin