Synopsis
"How looking at what has become the skeletons of photographs is a visual lecture on aesthetic pleasure or emotion. And how being, almost entirely denied of this pleasure, or having the pleasure merely suggested induces a viewer to ruminate on the act of viewing and that of wanting to view. And maybe it is evolution which causes this anxiety and art form. A series of collages recreating the photographs of well known artists (
Uta Barth,
Kohei Yoshiyuki,
Candida Hofer,
Deborah Willis) and a very slight suggestion of the actual photographs." –
Stephanie Barber
