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ARTICLE
The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA
By
Michael Chanan
ARTICLE
Digital Futures: Independents' Day
By
Susan Picken
ARTICLE
Sink or Swim – The Muddy Waters of Independent Distribution
By
Caroline Freeman
|
Kate Gerova
ARTICLE
Film as Subversive Art
By
Scott MacDonald
ARTICLE
Fajr Film Festival Diary, Iran
By
Michael Chanan
ARTICLE
National Film and Television School: (Inter)national Bright Young Things
By
Anna Higgs
SCRIPT
Cinema Of Prayōga: Indian Experimental Film & Video 1913-2006
By
Tanya Singh
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Ecovisions: Seeing Animals in Recent Ethnographic Film
By
Anat Pick
ARTICLE
The Cinematic Tango: Contemporary Argentine Film
By
Tamara Falicov
ESSAY
From First Principles: A Prehistory of the Slade Film Department
By
Henry K. Miller
ARTICLE
36th International Film Festival Rotterdam 2007
By
Ghita Loebenstein
ARTICLE
Rushes Short Film Festival
By
Owen Armstrong
ARTICLE
Disreputable Behaviour: The Hidden Politics of the Thai Film Act
By
May Adadol Ingawanij
ARTICLE
Kinoteka: Notes Towards London’s Sixth Polish Film Festival
By
Nancy Harrison
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