Germany in the autumn of 1957: Lola (
Barbara Sukowa), a seductive cabaret singer
– prostitute, exults in her power as a tempter of men, but she wants more
– money, property, and love. Shot in childlike candy colors, Rainer Werner Fassbinder’s
Lola, an homage to
Josef von Sternberg’s classic
The Blue Angel, is a wonderfully satirical tribute to capitalism.