Lucy is the dog. Wendy is her owner, a 20-something urchin chasing dreams of economic stability in Alaska and trying to cross the country in a shaky car and a precariously small amount of cash in a money belt. A high point of Reichardt’s career, Wendy and Lucy stands as a defining work of the neo-realist filmmaking that transformed American independent cinema in the early 2000s.

In Taipei City, a cavernous old picture palace is about to close its doors forever. An exquisite, wryly funny and tender tribute to the experience of movie-going, Tsai Ming-Liang's poignant love letter to cinema is one of the most beguiling and beloved dramas of modern times and is now widely regarded as a classic.

Inspired by the photographs of Slovak artist Martin Martinček whose pictures distilled entire lifetimes into luminous and intransient images, Hanák created his own distinctive impressions of the artist's work in reflecting a myriad of human stories.

With his second feature, a towering epic that took him years to complete, Andrei Tarkovsky waded deep into the past and emerged with a visionary masterwork. Appearing here in his preferred 183-minute cut, Andrei Rublev is an arresting meditation on art, faith, and endurance, and a powerful reflection on expressive constraints in the director’s own time.

In Taipei City, a cavernous old picture palace is about to close its doors forever. An exquisite, wryly funny and tender tribute to the experience of movie-going, Tsai Ming-Liang's poignant love letter to cinema is one of the most beguiling and beloved dramas of modern times and is now widely regarded as a classic.

Lucy is the dog. Wendy is her owner, a 20-something urchin chasing dreams of economic stability in Alaska and trying to cross the country in a shaky car and a precariously small amount of cash in a money belt. A high point of Reichardt’s career, Wendy and Lucy stands as a defining work of the neo-realist filmmaking that transformed American independent cinema in the early 2000s.

In Taipei City, a cavernous old picture palace is about to close its doors forever. An exquisite, wryly funny and tender tribute to the experience of movie-going, Tsai Ming-Liang's poignant love letter to cinema is one of the most beguiling and beloved dramas of modern times and is now widely regarded as a classic.

After Heaven Knows What, filmmakers Josh and Benny Safdie return to the mean streets of New York City with Good Time, a hypnotic crime thriller that explores with bracing immediacy the tragic sway of family and fate.

Inspired by the photographs of Slovak artist Martin Martinček whose pictures distilled entire lifetimes into luminous and intransient images, Hanák created his own distinctive impressions of the artist's work in reflecting a myriad of human stories.

With his second feature, a towering epic that took him years to complete, Andrei Tarkovsky waded deep into the past and emerged with a visionary masterwork. Appearing here in his preferred 183-minute cut, Andrei Rublev is an arresting meditation on art, faith, and endurance, and a powerful reflection on expressive constraints in the director’s own time.