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Ma l’amore mio non muore!
The Turin Horse
A Worm’s Tail View Is Often the True One: Films by Pere Portabella
A Woman Is a Woman
The Batwoman
Open City Documentary Festival – The Art of Non-Fiction
Open City Documentary Festival
Sátántangó
Close-Up on Chantal Akerman
ARTICLE
Dancing at the Crossroads
By
Sue Clayton
ARTICLE
Fespaco: Nationalism or Pan-Africanism? A Takeover for our Times!
By
Abdul War and Med Hondo
REVIEW
Paulo Antonio Paranagua, Mexican Cinema
By
Rob Rix
ESSAY
The Empire’s New Clothes: Sally Potter’s RAGE
By
Sophie Mayer
ARTICLE
Impossible Cinema
By
Robert Barry
QUESTION AND ANSWER
Altman Took Me Gambling
By
Robert Chilcott
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