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REVIEW

Atlas of Emotion: Journeys in Art, Architecture and Film

By Chris Darke

ARTICLE

Why and for Whom Do We Film Today?

By Abbas Kiarostami, Merzak Allouache, Gaston Kaboré, Nour-Eddine Sail

DOCUMENT

The Abingdon Film Unit

By Jeremy Taylor | Michael Grigsby

ARTICLE

Sundance Film Festival 2007

By Lucinda Henderson and Brian Robinson

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

By Michael Chanan

[+] Film Collective: Experimental Films by Makino Takashi & Rei Hayama

ARTICLE

First World Film

By Mark Cousins

Apostles, Arabesques and Spells: Seven Recent Films in the Millennium Film Journal

The Visual Age: Three Films by Lee Chang-ho

ARTICLE

Nokia-isation of Scottish Film Policy

By Mark Cousins

ARTICLE

Sign and Design: Essays in Rewriting

By David Ellis

Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

ARTICLE

Visual Art and the Moving Image

By James Swinson

INTERVIEW

A Story of Experimental Film

By Louis Benassi

Related Items

REVIEW

Atlas of Emotion: Journeys in Art, Architecture and Film

ARTICLE

Why and for Whom Do We Film Today?

DOCUMENT

The Abingdon Film Unit

ARTICLE

Sundance Film Festival 2007

ARTICLE

The Maltese Double Cross: Allan Francovich’s Film on Lockerbie and the CIA

[+] Film Collective: Experimental Films by Makino Takashi & Rei Hayama

ARTICLE

First World Film

Apostles, Arabesques and Spells: Seven Recent Films in the Millennium Film Journal

The Visual Age: Three Films by Lee Chang-ho

ARTICLE

Nokia-isation of Scottish Film Policy

ARTICLE

Sign and Design: Essays in Rewriting

Close-Up Film Course: Surrealism and Cinema from Luis Buñuel to David Lynch

ARTICLE

Visual Art and the Moving Image

INTERVIEW

A Story of Experimental Film

Guy Sherwin: Short Film Series