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REVIEW
Beyond the Perimeter Fence
By
Gareth Evans
ESSAY
Terrence Malick’s Heideggerian Cinema
By
Marc Furstenau and Leslie MacAvoy
REVIEW
Subtitles: On the Foreignness of Film
By
Chris Darke
ARTICLE
After-Image
By
Guy Westwell
ARTICLE
Reverse Angle: The 1960s and the Possibility of Radical Underground Film in Japan
By
Go Hirasawa
ARTICLE
Sex, Violence and Politics – Japanese Style
By
Jasper Sharp
ARTICLE
A Recipe for Nothing
By
Klaus Fried
ARTICLE
Partition
By
Sean Kaye-Smith
ARTICLE
Singapore Sings
By
Ben Slater
INTERVIEW
From the Beats to the Beastly
By
Jay Clifton
ESSAY
Three Images of May: Cinema and the Uprising
By
Chris Darke
DOCUMENT
For Tomorrow’s Witness
By
The filmmakers of Lebanon
|
Israel
ESSAY
For a Reconsideration of Soft and Hard
By
Jerry White
INTERVIEW
As I See You You See Me
By
Julian Ross
Nippon Year Zero: Japanese Experimental Films from the 1960s-1970s
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